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Ludo. You're Awful, I Love You Santogold

power-pop band from St. Louis, Missouri signed with Island Records.Tomaron its name from a 1986 fantasy film called Labyrinth directed by Jim Henson, produced by George Lucas, where he played David Bowie and Jennifer Connelly. Of all the creatures that appear in the film there is a giant who helps the protagonist named Ludo ... but better, check it out. / / / Andrew Volpe, Tim Ferrell, Marshall Fanciullo, Matt Palermo and Tim Convy were grouped and called The Dog And Everything, Anything But Joey and Upside, until 2004: Ludo. In 2005 they recorded an EP Broken Bride is a rock opera. Until 2007 that as Ludo signed with Island and the February 26, 2008 "You're Awful, I Love You" luz.Y saw his first single "Love Me Dead", has even been adapted for commercial U.S. series House. / / / The first time I heard I thought "oh no! Other" My Chemical Romance, because the tone of voice is very parecidoy ce especially in this song seems at first glance. But you hear better, "Love Me Dead "has the charm it had in its early MCR (because after it abused its label), the melancholy" I Miss You "by Blink 182 and a pinch of talent to Burton. / / / will have to listen the entire disk to see if there was a flash theatrical Andrew Volpe (lyricist)

Video: "Love Me Dead"

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The concept of heritage has evolved significantly during the twentieth century but mainly from the sixties and seventies. If we specify more we can target the meeting in Rio de Janeiro in 1957 and the round table of Santiago de Chile, 1972. The latter also coincided with the declaration of World Heritage in Paris.

In essence, we have jumped from a centralized concept of heritage in the monument as a mark previously pursued by our past, to a holistic concept where the importance lies not so much on the historical value and / or aesthetic value of the property but in value and evocative documentary.

According to the Convention for the Safeguarding of Intangible Cultural Heritage UNESCO belonging to the Cultural Heritage Intangible is the mainspring of our cultural diversity and its maintenance a guarantee for continuing creativity .

For this same Convention this intangible heritage is evident in the following areas.

· oral traditions and expressions

· Performing Arts

· Social practices, rituals and festive events

· Knowledge and practices concerning nature and the universe

· traditional craftsmanship

This uses these arts these oral traditions how you can manage, who decides which ones to keep and which to eradicate. Overall, the decision should be based on a democratic consensus in the room with the voices and votes of the individuals participating in these traditions, governmental powers and collective movements and associations. They, their dialogues are those who can make the most of an intangible heritage.

And why? The fundamental question of expense (both financial and temporal) in the recovery of a heritage resource. Bernard Deloche stated that The man with no identity, alienated or amnesia, is a sort of "traveling without luggage, transparent and uprooted . We must not forget that our collective identity as it shapes our history. And how are our history documents. Heritage is one of the most valuable documents we have tangible, enduring in time for future generations. The documentary value, emotional and pragmatic material that heritage puts the immateriality of it. The evocative power it off. Hence, whenever any artifact of the past is worthy of attention. Intangible heritage will always be the soul of tangible heritage.